So I've done my fair share of theater. I have also been very fortunate in that I've been able to come to New York two or three times a year just to see as many shows as possible. I think the live theater culture here is incredible.

I've been very fortunate to go from interesting chapter to interesting chapter.

I think things through a lot, so I probably use my head more than my heart. That probably comes through in my acting.

It's like, the more you commit, the happier the animators are; if you're at all iffy and concerned, then it doesn't free them up to do as much fun stuff, so you have to just go for it and, again, trust the people around you and not be seemingly guarded and numb. Throw caution to the wind a bit.

I'm very interested in starting to produce, and direct, and have an umbrella over an entire project in the future. I'd like to have control over what the characters do. I think as an actor, you get a little too caught up in the moment-to-moment, beat-to-beat stuff to have perspective.

I feel like I know where I'm going. And I like where I'm going.

I sort of pride myself in my dissatisfaction with my work. I've always been concerned with buying the hype, and having that make your performances suffer.