I get to choose things that interest me as opposed to trying to get any job that will have me, which for a vast majority of actors is the case.

Before babies, I worked very hard to make sure I understood my surroundings and figured out where I fit in the world, whether it was at work or whether it was in a social situation. And with kids, you just can't. The rule is you can't really do that because they dictate and they change so much so you just have to go with the flow more and be present and not have big expectations and be amused all the time.

The Tonys are the once-a-year shot for all of these shows and artists who work so diligently every single performance but only for a thousand or so people at a time. This gives them the opportunity to perform to millions of people.

I don't want to have to inadvertently find a gift and go like, "What the hell is? Oh no, that's for me." And then have to pretend like I'm surprised later. If I know where they're hidden, I will not look. I love presents and I hate faking surprises.

I felt a little green, because Shakespeare writes the thought process within the text; it was tricky not to think of what to say and then say it, and instead just deliver the lines.

It's good to have a lot of once-in-a-lifetimes in your lifetime. If you get the chance to skydive, go skydiving. If you're offered a part in a weird Shakespeare play in San Diego, slap on some tights and rock out some iambic pentameter.

I sort of pride myself in my dissatisfaction with my work. I've always been concerned with buying the hype, and having that make your performances suffer.