Ain't singing for Pepsi, ain't singing for Coke, I don't sing for nobody, makes me look like a joke.

You're as close to heaven as I'll ever be.

I live for playing live. All my records are live, since After the Gold Rush, with the exception of Trans and the vocals on Landing on Water.

If you want to get lost in the jungle rhythm, get down on the ground and pretend you're swimming.

All I'm doing is writing it down and putting it in a cadence. Once I get into a cadence, then why should I even stop and wonder what it is? You can do that for the rest of your life, but when it's coming out, you don't want to stop it.

With Crazy Horse, it's all one big, growing, smoldering sound, and I'm part of it. It's like gliding, or some sort of natural surfing.

I think [song 'Can't Stop Workin'] it's the constant work; performing and traveling. It gets to be a bit of a strain. But if you pace yourself, which I've managed to do, you can go pretty well.