I have a lot faith in the younger generation of music lovers. Youth isn't living in the past; if somebody tells them that there's something better than what they have, they're going to check it out. And if they like it, they're going to get it. I'm not worried about the youth. Young people aren't just looking back, they are also looking forward.

The thing about my music is, there really is no point.

All the things I used to count on to get my music out there - record companies, they're all gone. And radio stations, they're gone - they're completely controlled by the government. If they're not controlled by the government, they're controlled by a programmer who's controlled by the government. Mainstream radio is suspect. You can't trust it.

It's a robust time, probably the most fertile time for the underground and for revolution since Nixon. I'm not talking about political overthrow; I'm talking about just general cultural revolution. Bush has polarised the country and is creating this breeding ground for an opposition. In the next couple of months, they'll probably make it unpatriotic to be Democrat. It's pretty crazy.

I would play all the parts of the song, show them the way it went together. Then I'd basically break down an arrangement - I wouldn't plan endings or beginnings - so they knew everything that was going on. I had the lyrics on a prompter so that I could remember everything I'd written, and I was able to just get into the groove and play with them. I think "Peace Trail" is one of the exceptions, where it's a later take. It just happened really quickly.

If you follow every dream, you might get lost.

Went looking for faith on the forest floor, and it showed up everywhere. In the sun, and the water, and the falling leaves, the falling leaves of time.