Obviously I don't want to make a film that offends people, but the whole world is so politically correct - I'm not going to not do something because it may be politically incorrect. At some point, the metaphors and allegories break down. They disappear, and you just have science fiction.

I don't believe in director's cuts and I also don't really believe in deleted scenes because the movie that is in theaters, that's what the director made.

In the realm of strong A.I. or in the realm of human consciousness, I think that it's been something that troubles humans or forces us to look at it over and over for millennia, or as long as we've really been conscious, because there is no answer. There is no explanation for us, even for a one percent grip to hold on to. So we just don't know why we're here, we don't know how consciousness is created.

'District 9' was a singular anti-Apartheid metaphor, and 'Elysium' is a more general metaphor about immigration and how the First World and Third World meet. But the thing that I like the most about the metaphor is that it can be scaled to suit almost any scenario.

If you just compare South Africans to the rest of the world, I think that white South Africans, and especially English-speaking white South Africans, are exactly the same as Brits or Australians or New Zealanders or Canadians or Americans.

I've learned more, and I understand the process a bit better now. I can try to see how long I want to take in each aspect of the filmmaking process, and then arrive at around the two-year end mark.

I am a firm believer that the pull for human beings is towards the good, generally outweighing the bad.