When you get an idea, it's not going to be a great idea until you push it. You’ve got to push it until it’s uncomfortable. And then you’ve got to ask yourself, ‘Does my project say to my audience what I want it to say?’ ”

I have a hard time taking myself seriously. My band the New Pornographers doesn't take me seriously, which is why I love them. We can't stand up there and pretend. What we're doing is really important to me and it's my job and I love it, but I can't just stand there unflinchingly noble in front of the audience.

Being in two full-time rock bands is pretty impossible. I love to tour but I have a dog and I want to see him. And, being a songwriter, you have to have experiences and do things. You can't just go on tour all the time, otherwise you get nothing to write about. It's finally at a point where the balance is perfectly right.

A live show is one of the last holdouts of a thing that makes you feel a part of a community, where you'll go and maybe meet your future wife or boyfriend, or you're taking your sister to her first show. These are the things that you remember later in your life.

If I could ever be on a Missy Elliott record, I could then die. Missy Elliott, Mary J. Blige - I love hearing them interviewed, I love the way they talk about their art. They're very self-assured, they're funny, they're inviting. I love it.

I didn't want to be the girl who posed in 'Playboy' and then - by the way - made some music.

I once asked a studio guy in Toronto, "How many people don't use auto tune?" and he said, "You and Nelly Furtado are the only two people who've never used it in here." Even though I'm not into Nelly Furtado, it kind of made me respect her. It's cool that she has some integrity.