Being the boss of your own career, you get used to having veto power and getting what you want, or as close to what you want as you have mapped out.

We shouldn't censor ourselves based on the weak idea of "looking cool." It's such a waste of potential awesomeness.

There's just kind of a sweetness about Canadians. Americans are a little more pushy, I mean, in a way that I enjoy - they're basically pushy because of their enthusiasm - we're a lot clumsier than other people.

I'm pretty self-conscious, so I tend to work in a way where I say what I need to say and get out rather than revisit things. It's kind of a collage style. I realized that it had more emotional weight that way. I'll always be in the developmental stages as far as being a songwriter.

I just want to make stories. They don't have to have a moral or a reason. There might be some mild cautionary notes, but they're not moral. They don't impart any Judeo-Christian ethic of any kind.

There's no grand excellence to it. In my experience it was just almost the gulaggy boringness of it that'll kill you. You're just in this murk. And you're with other humans, but you lose all your human skills and it's just like you're in this plastic bag and you can't quite connect with people. You lose your ability to transmit electricity or something, and to receive it.

You're not supposed to totally know what's happening. The songs are supposed to give you clues so you can fill in the blanks.