When you're making records, you develop, and so you hear the things you want to move away from. It stings a little, but you know, you gotta own it too. You've got to just go, "You know, I wasn't afraid to learn in front of people, so I give myself a little credit for not being afraid of anything."

Sounds like to have space sometimes. It's good to give yourself a variety, or you just fatigue your ear. Like if somebody sings in the same register all the time, or if it's got the same feel the whole way through, I just find I get fatigued, so it's nice to break it up.

I try not to be overly literal. When I'm writing songs, I write down a lot of words, and then I try to simplify it. I like to give people hints or words that make visual pictures for them.

There's just kind of a sweetness about Canadians. Americans are a little more pushy, I mean, in a way that I enjoy - they're basically pushy because of their enthusiasm - we're a lot clumsier than other people.

It's like sometimes, you can just lay back and it takes the pressure off of you.

There are things about the production I'm not crazy about though. People mix records to be heard in cars and to have the bass incredibly loud so the vocals have to fight with everything so there's no dynamic left, and that's kind of a bummer. That may not be my taste but I'm not going to go, "Kanye's not very good," because he's pretty badass. It's a difference in taste, like the New Pornographers and myself have different taste in production as well but it all works out in the end.

I think I've kind of been mistaken for somebody who's trying to be a spokesperson for animal rights, and the fact is I'm not qualified to be a spokesperson. I am passionate about it, but I'm not trying to make other people do what I do.