I kind of go for the MGM version of every musical style.

You have to reflect honestly what's around you in your music. I think a lot of people are just obsessed with their own relationships, so that is an honest reflection of what they see. A lot of people don't go much deeper than that.

I'd been knocking on record companies' doors for so long, and I had gone on a lot of auditions. It's weird when you go to those auditions through the Village Voice or something. You never know what to expect. You just press Floor 3 on the elevator and pray that it's not... You know, anyone can place an ad, so it's really freaky.

I'm getting offers for movie stuff. But it shows how facile the movie industry is. I mean, they don't know I can act. I guess they like my record and think I have a nice complexion? I don't know. How many people work and wait tables to get that break? I really don't feel entitled. Everything's so corrupt, you know? Especially the tastemakers. I trust the American public much more than the tastemakers.

In the hierarchy of instruments, if you're a harpist, you're considered someone with a brain much more than if you're a singer. Even though singers, particularly singers who can play piano... If you go to the office of career development, you can get a gig much easier. Still, musicians tend to look down on you. I think they've got some nerve, because if they could sing, they would do it, but most of them can't.

I used to play in the subway. If everyone tossed in a quarter, at the end of the day it would add up. It shows you aren't invisible. And it's better than being ignored, or kicked in the head, or worse.

I think people at most record labels really like music, but it's hard because everything is so subjective, and everyone's so creative in their own right.