I was in school for jazz voice, which is the dumbest way to spend $35,000 a year. I just felt like a rip-off of good jazz singers. I didn't feel like I was being anything special, and I always wanted to be special. It's like you know you have something inside you that's gonna make you different than everybody else and make you somebody in this life, but you wish you could figure out what it is, because at most things, you're either mediocre or really, really bad.

In New York City, when they develop something, they never use the old buildings. It's so wasteful. Why not use what's there?

While a lot of my day, like most people's, is spent thinking about me, I can see how it's a universal thing: the competition, the clashes of personality that fuel the world and fill the world, are the exact same ones that take place just between two people. I just think politics is a form, en masse, of human relations.

I'd been knocking on record companies' doors for so long, and I had gone on a lot of auditions. It's weird when you go to those auditions through the Village Voice or something. You never know what to expect. You just press Floor 3 on the elevator and pray that it's not... You know, anyone can place an ad, so it's really freaky.

I was never pop-music taken seriously when I was taught. But some people who agree with you will like your music, and some who don't agree with you will like your music. I think that if you can approach things in a universal fashion and speak rationally about things, then most people do have similar intrinsic values. They don't - or at least they feel that they shouldn't - want other people to suffer. They want a good life for them and their own.

There's a side of me that identifies with Aileen Wuornos.

I feel like you should always be questioning the genre you're doing. If you're doing something that sounds like a lullaby, it can be good to make it about someone stalking someone.