A language not based on universal symbols or sensations is gibberish, a pitfall of modern art, no longer modern.

I'm drawing in my head pretty much.

So really what I am trying to do is create and understand form. But then too, color enters into it because a lot of things are color changes without a value change, which wouldn't show up if you were just using a non-color medium.

We got interested in aesthetics, and then at the end of all of it we fell off the precipice. It's almost like crawling back because so many techniques are lost, and so we're going to have a [small] reserve of teachers who can teach the vast number of interested students. We have these poor, hungry, starving people who want to learn something and no place to get it. It's a tragedy.

We... joked a little about presidential portraits. He [Bill Clinton] told me that he and Harrison Ford had been joking recently about how chins drop with age, and he didn't want to look that way.

My career doesn't depend on painting Bill Clinton.

It's not just a boring exercise in pushing oil paint around a canvas. It's a way of opening a threshold to an exciting new world of vision.