I would like new people with new ideas to come into it and change it.
If we perform the romantic repertoire we need more musicians.
Initially we performed in halls with capacities of 1,000.
The awful thing about a conductor becoming geriatric is that you seem to become more desirable, not less.
As you know, there are certain languages that lend themselves very easily to vocal use.
I think the quality of something like the Beveridge, for instance, will have a life of its own.