We don't want other people poking into our artistic pie.
I think the quality of something like the Beveridge, for instance, will have a life of its own.
If we perform the romantic repertoire we need more musicians.
Taste is changing, style is changing, and players abilities are changing.
If the (British) Arts Council give you money, they also tell you how to spend it.
Initially we performed in halls with capacities of 1,000.