I think the quality of something like the Beveridge, for instance, will have a life of its own.
Initially we performed in halls with capacities of 1,000.
If we perform the romantic repertoire we need more musicians.
If the (British) Arts Council give you money, they also tell you how to spend it.
Mozart has written opera, symphony, sacred and chamber music - not to mention his piano and violin concerti.
Music is a continuum and the modern and avant-garde composers of today will be part of the standard repertoire 30 years from now.