Americans are in need of very objective information, and sometimes it's easier to absorb the message through entertainment and through a great story than through the news outlets [where] everything is sensationalized. Not only are you getting information that sort of defies stereotypes, but you're also getting a wonderful story with hopefully good performances.

I learned there's a tremendous amount of sisterhood among Muslim women, which I thought was really beautiful.

My son's dad is committed, and involved, and amazing. We're actually really good friends. But I think it's dangerous to speak negatively to the child about your ex or the absent parent, because, believe it or not, they learn very quickly who the other parent is. And it's important that they develop their own attitudes and opinions about that other parent based on their experiences, not based on what someone has said about them.

It's hard to judge yourself. Each Essence cover represents a different special moment in my life. One is about keeping it sexy in my 40s, so I'm not mad about that either.

I think classic films are classic for a reason. It's always sketchy to redo one, especially if you're trying to make it contemporary. That's really just not the way to go.

I can tell you it makes a big difference to have a director who is collaborative. What motivates a character in my mind could be completely different from what the director's thinking. You have to have those conversations ahead of time and throughout the process. It affects the performance.

I think that if something matters to you, and is important to you, then you give it the attention and energy it deserves. So, I don't look upon it as a price, but as an opportunity to influence the community in a healthy way.