I feel it's that I don't ever give up on myself, and I'd rather run a marathon than a sprint. Personally, I think I'm a slow learner who's getting better every year, every moment, every project. I've met so many amazing people along the way. And there's no gimmick with me. What you see is what you get.

I have a four year old and I'm telling you we did Nickelodeon last night and he embarrassed me. It was like one of those moments when I couldn't believe my kid is acting like this. I just had to just like walk away from him because he was really pushing my buttons.

I can tell you it makes a big difference to have a director who is collaborative. What motivates a character in my mind could be completely different from what the director's thinking. You have to have those conversations ahead of time and throughout the process. It affects the performance.

Collaboration is necessary for making great art. Everybody has a perspective on what they think or feel the material should ultimately look like when it hits the screen.

Good shoes and a good scent make the perfect day.

I have been in situations where actors are treated like robots: say the lines, say it like this, we don't have time for conversations. That is a terrible position to be in as an artist. You feel used.

My son's dad is committed, and involved, and amazing. We're actually really good friends. But I think it's dangerous to speak negatively to the child about your ex or the absent parent, because, believe it or not, they learn very quickly who the other parent is. And it's important that they develop their own attitudes and opinions about that other parent based on their experiences, not based on what someone has said about them.