Killing characters on television has become an easy short cut to cathartic emotion.

In the summer of 2010, I was working on a version of "True Detective" that I was thinking might be my next novel, and it was told in these two first-person voices; Cohle and Hart's voices.

At DePauw, I was teaching writing and fiction. The things I wanted to teach, more than anything else, were form and theory of the novel, of narrative. I liked those classes.

And if we’re talking about hard-boiled detectives, too, what could be more hardboiled than the worldview of Ligotti or Cioran? They make the grittiest of crime writers seem like dilettantes. Next to The Conspiracy Against the Human Race, Mickey Spillane seems about as hard-boiled as bubble gum.

My ultimare goal is, without illusion and without sentimentality, merely by telling the truth as I see it, to break your heart. If I can break your heart and cause your awareness to expand to include another person's experience, even a fictional person's experience, and to inhabit for a moment their sorrow and suffering, then I think it expands us as people.

I didn't come to Hollywood to be subservient to anyone else's vision.

Some people, no matter where they look, they see themselves.