I was interested in the ways that artists responded to totalitarianism - the Czech Jazz Section, Romanian absurdist theatre, Brecht's alienation effect. The anything-goes, anarchic qualities of jazz and Surrealism seemed to offer a way to cross some of the forbidden frontiers of Eastern Europe.

I never know exactly where I'm going with a story, whether it's a short story or a novel. If I did I'd soon grow bored of it. The fun, for me, is in the finding out and the making sense of it.

Increasingly, those who used to teach and write critical or theoretical texts are writing fiction, poetry and so on; and kinds of texts are being produced that call for budding readers rather different from those who studied literature in the past.

I have no patience with up-themselves authors who complain about having to trail round a few bookshops signing stock.

Who was it recently invented some machine that will enable her to sign a book from 5,000 miles away? Margaret Atwood. Get off your arse, love, and sign it in person. Publishers and circumstance made you a bestselling author. Give a little back.

I love experimental writing, when it's good, and good examples are much more likely to be found in the short form.

I've written over 100 short stories. You could say I'm obsessed with short stories.