I was interested in the ways that artists responded to totalitarianism - the Czech Jazz Section, Romanian absurdist theatre, Brecht's alienation effect. The anything-goes, anarchic qualities of jazz and Surrealism seemed to offer a way to cross some of the forbidden frontiers of Eastern Europe.

What the short story needs above all is for one of the big publishers to get an equivalent series up and running and to support it and promote it.

I always have lots of zany ideas for promotional stuff as publication nears.

I am interested in power and in the idea of one country exerting power over another. The Soviets took this to an extreme.

The Belgians tend to downplay the cultural divide issue, and the far-right issue, but there's a staggering degree of casual racism in Belgium, much worse than in the UK.

I was interested in the ways that artists responded to totalitarianism - the Czech Jazz Section, Romanian absurdist theatre, Brecht's alienation effect. The anything-goes, anarchic qualities of jazz and Surrealism seemed to offer a way to cross some of the forbidden frontiers of Eastern Europe.

The short story feels like the most natural length for prose fiction, or certainly for the kind of ideas and situations I like to encounter.