Some things definitely work better on film than in books. Introspection is great in books but it doesn't work on film. Anything with high intensity, whether it's a love scene, a car chase, a fight scene - those things work so well on film and oftentimes they can tell a much broader part of the story.

Never forget that anticipation is an important part of life.

I don't want to lose you.' His voice almost a whisper. Seeing his haggard expression, she took his hand and squeezed it, then reluctantly let it go. She could feel the tears again, and she fought them back. 'But you don't want to keep me, either, do you?' To that, he had no response.

What were the odds that she'd turn away at the same instant the ball came flying her way? And that she'd be holding a soda in a crowd at a volleyball game she didn't even want to watch, in a place she didn't want to be? In a million years, the same thing should probably never happen again. With odds like that, she should have bought a lottery ticket.

We sit silently and watch the world around us. This has taken a lifetime to learn. It seems only the old are able to sit next to one another and not say anything and still feel content. The young, brash and impatient, must always break the silence. It is a waste, for silence is pure. Silence is holy. It draws people together because only those who are comfortable with each other can sit without speaking. This is the great paradox.

It made perfect sense, and at the same time nothing seemed to.

leaning in he kissed her gently, first on the cheek then on her lips. When he met her eyes, she saw the young man shed loved last summer and the young man she still loved now. "I never stopped loving you, Ronnie. and I never stopped thinking about you. even if summers do come and end" she smiled knowing he was telling the truth. "I love you too, Will Blakelee" she wispered, leaning in to kiss him again.