Sometimes a scene can elude you, and then, you also learn that the small moments are really what you're after. A big broad moment that gets the crew laughing, usually isn't going to translate to an audience.

When I write something, it's usually 'cause I think it's funny or I have a way in, but when I direct something, I really need to be close to it.

Yeah, because we wanted to go back to the original tone. It's one of the original movies like The Muppet Movie, Muppets Take Manhattan, The Great Muppet Caper. Those kinds of movies. So that was really important that we hit that tone and those have a lot of cameos in them and so Jason and I started asking people and everyone we asked just wants to do it.

All of the things I've directed, I'm really emotionally close to. That's why I choose to direct them and spend years on them.

Yes, the fans are going to get their money's worth. It's like...and everything on there is funny. It's not like random crap they put in a movie. I think it's all very funny, so.

And writing comedy and it really taught me how to kind of like craft jokes, it sounds like weird but really focus on crafting jokes and trying to make the writing really sharp. At the same time I did improv comedy in college, and that helped with understanding the performance aspect of comedy, you know, because it's different when you improv something vs. when you write it and they're both kind of part of my process now.

And I watch all the dailies and I grade the jokes or the moments, you know, on a scale from... so I know exactly what we have. And so I can then go into the editing room and be like "I want you to do this moment, this moment, this joke, that joke. I'd like to see 3 versions."