Every video you see in the movie we have an entire video of it that will be on the DVD, so the whole video for African Child, the whole video for Super Tight, you know the Jackie Q songs.

All movies are inherently collaborative, and animation even more so. There are hundreds and hundreds of people involved with an animated movie.

Like everyone is either, "I grew up with it," or "I loved it," or loved them now. And when you watch The Muppet Movie now, it is so current. It's like The Simpsons before The Simpsons. It's not as cynical as The Simpsons would be but it's self-aware and there are a billion jokes, it breaks the fourth wall every five minutes, it's astounding, it's awesome. It's very exciting to be a part of that.

When I just write something, it's usually because I love it, I love the material, but I feel like I really need a creative partner to crack it. And I certainly need and have a lot of creative partners as a director.

I like writing for other people. I love it. It's great because you write it and then you hand it off to someone else. But in terms of directing, anything I direct will be something I've written or re-written. I'm in no crazy rush to direct.

I'm like really bad at like remembering all these things, but basically we finished...we wrapped in August and we locked in February. It was like we did our first friends and family screening I would say 8-weeks after we locked...after we wrapped or 8-weeks after we wrapped.

And sometimes you're not noticing a little eye movement that's hilarious. So it all kind of gets figured out in post. And that guy you were watching was this guy Murray Miller, who's actually not an actor, he's a writer that Rodney and I are friends with. He's just crazily funny, especially when hitting on people.