I think people try to jam a lot of artificial plot devices into a lot of romantic comedies, and they don't treat it with the respect I believe it deserves.

I remember like that scene with Pharrell where they're at the music video shoot, we have this on camera actually, Pharrell's confused because we weren't doing the script. We were doing all this improv and then Diddy says to him... Pharrell's like I don't understand what's going on and Diddy goes, "We do a lot of improv". (laughter) I remember being we just made him into a comedy nerd. We somehow turned Sean Combs into a comedy nerd, so.

It won't be that expensive, the script is fun, the guys just love this thing, and with all of that, the world is just ready for the Muppets again. It's strange that there hasn't been one for so long. I think there were a lot of political reasons for why that was the case but it's just exciting that now it's going to happen.

And then my editor really likes that because he's left alone to do what...to create those things instead of me breathing over his shoulder and I like it because I don't have to sit in the editing room all day. I get to watch just dailies.

I feel very creatively satisfied and lucky that I get to write for other people, but for something I direct, it has to be something I completely understand every facet of.

I remember reading Dave Barry for the first time and being like oh my God I can't believe you can do this. Watching Mel Brooks and Monty Python and SNL and all that stuff really informed me as a writer and then at high school I started a satire magazine and the college like The Lampoon really introduced me to like you know a lot of very like-minded people who really wanted to like comedy was the center of their lives.

When I write something, it's usually 'cause I think it's funny or I have a way in, but when I direct something, I really need to be close to it.