In fact, you could make the argument that a historian like Shlomo Aronson does in passing in one of his books, that the bombing campaign united the German nation behind Hitler, and actually contributed to the sustaining of his power.

Writing has to do with truth-telling. When you're writing, let's say, an essay for a magazine, you try to tell the truth at every moment. You do your best to quote people accurately and get everything right. Writing a novel is a break from that: freedom. When you're writing a novel, you are in charge; you can beef things up.

I keep thinking I'll enjoy suspense novels, and sometimes I do. I've read about 20 Dick Francis novels.

I woke up thinking a very pleasant thought. There is lots left in the world to read.

Most good novelists have been women or homosexuals. The novel is the triumphant evolved creation, one increasingly has to think, of these two groups, who have cooperated more closely in this domain than in any other.

I'm a sucker for interiors and carefully, beautifully filmed people sitting in a big room. My appetites are simple.

Friends, both the imaginary ones you build for yourself out of phrases taken from a living writer, or real ones from college, and relatives, despite all the waste of ceremony and fakery and the fact that out of an hour of conversation you may have only five minutes in which the old entente reappears, are the only real means for foreign ideas to enter your brain.