Shoes are the first adult machines we are given to master.

For me, as a beginning novelist, all other living writers form a control group for whom the world is a placebo.

A problem that I have with everything fictional is that writers are always having to come up with sudden artillery explosions in the middle of whatever is going on. The characters are having interesting, subtle interactions, or jealousies, or whatever it is, and suddenly some gigantic angry eruption has to happen, a giant gasp where everyone has to scramble around. That's the point where I'm turned off. I want the dynamic range to be a little smaller. I don't like the big false bangs.

I hadn't played any music since freshman year of college, more than thirty years ago, so I had to relearn everything. I started writing songs. Some were dance and trance songs (I listen to them a lot while I'm writing), and some were love songs, because that after all is what music is about - dancing and trancing and love and love's setbacks.

I keep thinking I'll enjoy suspense novels, and sometimes I do. I've read about 20 Dick Francis novels.

I really practiced hard and got to a certain level of technical proficiency. I overcame some of my limitations. I was a hard-working, dedicated bassoonist, but I have to say I'm not a natural musician.

I've never been a fast reader. I'm fickle; I don't finish books I start; I put a book aside for five, ten years and then take it up again.