I write out of enthusiasm. Momentum that comes from a new idea. Eagerness to explore. I also write out of fear - fear of losing an idea - fear of feeling stagnant.

Los Angeles is more hospitable to writers [Than NY]. It's less claustrophobic. It feels more unpredictable and dangerous, and the landscape is less structured. You see coyotes lurking all over the place. It just feels wilder and more dangerous.

The Shield made me realize there were great opportunities for writers in TV.

I think the reason the stories are briskly paced, when they are, is that I like story. I like stories where things happen and there are surprises and reversals, in addition to vivid characters and a memorable voice. So those are the kinds of stories I try to write. And it turns out that's pretty much the only kind of writing that works for TV. It's a medium that just devours story, demands surprises and reversals. So my sensibility is suited to TV storytelling, at least as we think of it today.

I write out of enthusiasm. Momentum that comes from a new idea. Eagerness to explore. I also write out of fear - fear of losing an idea - fear of feeling stagnant.

In fiction, I have a residual guilt when I focus on story over language or mood or whatever - the more "literary" things. In screenwriting, I don't have that guilt because story is the only thing. Character, dialogue, everything else - they feed into and drive story.

I was tired of working in an office and I wanted to make a living telling stories. There are not many people who find a way to do this.