I'm always sort of looking for projects that I can sort of put out into the world, into the public sphere, and to somehow cause an effect. I want to be able to create projects that sort of are going to make people think and think in this sort of magical, sort of fantastical way.

I get criticized for a lot of what I write about, but as far as I'm concerned I'm actually standing up and having a look at what goes on in the minds of men, and I have the authority to talk about it because I'm a man.

In getting older, I find myself becoming progressively more ineffectual in a lot of different ways, and part of that is down to no longer having the youthful feeling that what you're doing has any true impact.

I see it as my duty in some way is to be out in the world as an Australian putting forward what I consider to be authentic Australian music.

To my undying shame, I do read reviews. I don't read them all, but I like to get some kind of idea how things are going.

Sorrow's child grieves not what has passed, but all the past still yet to come.

Love songs come in many guises and are seemingly written for many reasons – as declarations or to wound – I have written songs for all of these reasons – but ultimately the love songs exist to fill, with language, the silence between ourselves and God, to decrease the distance between the temporal and the divine.