I have a particular dislike for children's films. I'm way past the novelty aspect.

It's very important that the music has a sense of adventure to it, and that it's done by the seat of your pants. There's a kind of nervy element about it.

The more settled I've become, the more problematic my characters have become. There was a period when I wrote sensitive and gentle songs and these came at a time when life was at its most destructive. I think you write about what you need, on some level.

Cynicism and defensiveness are two things constantly levelled at me. Look, I've got time for people, I'm good mannered. I usually find that when you're down, nobody has a bloody minute for you. If I was a nobody, you wouldn't even talk to me. People, in general, don't like you being upfront and civil. They hate you for it. They label you a cynic 'cos you're reasonable.

The big problem with songwriting for me is starting a new song. It's the thing where all the anguish exists, not in the writing of the song, but the starting of the new song.

I love being manipulated by what I see. I love weepies and romantic comedies where you're reaching for the Kleenex at the right moment.

It's a wonderful life if you can find it.