When I start writing songs, and they come easily, I'm always very suspicious. That usually means they're reminding me of something I've already done before. When the songs become unsettling, and I feel anxious about what I'm doing, that usually means it's going to be more interesting later on when we actually record the stuff.

When I start writing songs, and they come easily, I'm always very suspicious. That usually means they're reminding me of something I've already done before. When the songs become unsettling, and I feel anxious about what I'm doing, that usually means it's going to be more interesting later on when we actually record the stuff.

I think there is a certain perversity in my music in that I continue, you know, to eat at the same ball of vomit year after year.

There are methods to creating a mayhem that sounds different from your usual mayhem. Because mayhem and a heavy drum backbeat end up sounding like Green Day or something. But if you put a different beat within it to create some air and lightness, the chaos comes through better.

I don't really do Japanese interviews. I don't think there's much call for me in Japan.

I've got some words of wisdom.

I've always hated narrative songs. I hate those songs where, basically, it's an unfolding of a story.