If you're Australian, you feel it in your bones because you're at odds with everybody else, except other Australians, in the sense that people always seem to be behaving strangely. People always seem to be behaving the wrong way, in a different way. You say things and there are silences.

It's very intuitive, the way that I approach my work. I only buy something that has a pulse. I may not know how I'm going to use it, but I know it has a pulse and it has multiple readings - if I shift it one way or another, it can be read this way or it can be read that way, but both readings are critical and very much ground the work.

It's always a pleasure on a personal note for me to come back to Australia.

Into the mercy seat I climb My head is shaved, my head is wired And like a moth that tries To enter the bright eye I go shuffling out of life Just to hide in death awhile And anyway I never lied.

The way I go about writing records is that I make a calendar date to start the new record, so I have nothing. I don't have a bunch of notes that I bring into the office, I start with nothing at all.

The more settled I've become, the more problematic my characters have become. There was a period when I wrote sensitive and gentle songs and these came at a time when life was at its most destructive. I think you write about what you need, on some level.

Said 2,000 years of Christian history, baby And you ain't learned to love me yet?