The way I go about writing records is that I make a calendar date to start the new record, so I have nothing. I don't have a bunch of notes that I bring into the office, I start with nothing at all.

The body becomes the carrier for the work. It's not really about the physical body; it really becomes the apparatus that carries and moves the work. I don't really consider the body as much; I look at it as a tool.

I became a script writer with absolutely no idea of how to write a script whatsoever. I still feel a bit of an outsider in that regard. If I can maintain that approach to screenwriting, it can continue to be enjoyable.

The society of whores stuck needles in an image of me.

A rock musician's career is short-lived. To extend it, you need to do other things to keep yourself fresh.

After a while, you just don't do things you don't wanna do - that's the great freedom you get, the older you get. You learn what to do and what not to do, and what will be a waste of time and what won't be a waste of time.

The problem with books, now that I've written one, is that the idea of adaptation is so much easier than sitting down to write something new.