In the early 2000s, I was introduced to the noble art of kickboxing, it thrilled me, and I loved it. I loved the honour and the discipline, and I also loved the punching.

My scripts are always heavily noted. If I can take a director to one side and say, "Do you mind if we try this?," a few days before, that's usually a better way of doing it then on the day.

I am a hard house freak and I don't care who knows.

When I was younger, I jumped out of a moving car. I would do anything. Now, being a father and knowing the political state of the world, there are certain things which potentially could be religiously volatile that I would probably avoid, but not much.

The zeitgeist is ever-changing. If you try second guess what people want, you'll miss it.

I'm not going to say I'm not a fan, but I'm a fan of house music, essentially, and kind of indie, and I was always into the kind of sub-pop Seattle Mud Honey and Pearl Jam kind of sound. But my kind of big love was house music ever since I was 15/16, going to raves when I was 15 or 16 years old and not going to school, like a naughty boy.

I volunteered on a farming community in Israel for two years when I was a teenager. One of the jobs involved clearing out a massive warehouse full of chickens ready for the abattoir. The smell of 40,000 chickens in 45C is awful.