We had no irony when it came to girls, though. There was just no time to develop it. One moment they weren't there, not in any form that interested us, anyway, and the next you couldn't miss them; they were everywhere, all over the place. One moment you wanted to clonk them on the head for being your sister, or someone else's sister, and the next you wanted to....actually, we didn't know what we wanted next, but it was something. Almost overnight, all these sisters (there was no other kind of girl, not yet)had become interesting, disturbing, even.
Nick Hornbymy friends don't seem to be friends at all but people whose phone numbers I haven't lost.
Nick HornbyClockers" asks--almost in passing, and there's a lot more to it than this--a pretty interesting question: if you choose to work for the minimum wage when everyone around you is pocketing thousands from drug deals, then what does that do to you, to your head and to your heart? (Hornby's thoughts after reading "Clockers" by Richard Price)
Nick HornbyTo me, making a tape is like writing a letter – there's a lot of erasing and rethinking and starting again, and I wanted it to be a good one.
Nick HornbyBut what else can we do when we're so weak? We invest hours each day, months each year, years each lifetime in something over which we have no control; it is any wonder then, that we are reduced to creating ingenious but bizarre liturgies designed to give us the illusion that we are powerful after all, just as every other primitive community has done when faced with a deep and apparently impenetrable mystery?
Nick Hornby