But all three of them had had to lose things in order to gain other things. Will had lost his shell and his cool and his distance, and he felt scared and vulnerable, but he got to be with Rachel; and Fiona had lost a big chunk of Marcus, and she got to stay away from the casualty ward; and Marcus had lost himself, and got to walk home from school with his shoes on.

He has the personality of a child prodigy, but no discernable talent.

And we'd had this stupid scene on the street, and even that was kind of cool, because sometimes it's moments like that, real complicated moments, absorbing moments, that make you realize that even hard times have things in them that make you feel alive.

You know that things aren't going well for you when you can't even tell people the simplest fact about your life, just because they'll presume you're asking them to feel sorry for you.

I've seen men like you in Doris Day films, but I never thought they existed in real life...The men who can't commit, who can't say 'I love you' even when they want to, who start to cough and sputter and change the subject. But here you are. A living, breathing specimen. Incredible.

A middle-aged woman who looked like someone's cleaning lady, a shrieking adolescent lunatic and a talkshow host with an orange face... It didn't add up. Suicide wasn't invented for people like this. It was invented for people like Virginia Woolf and Nick Drake. And Me. Suicide was supposed to be cool.

I fell in love with football as I was later to fall in love with women: suddenly, inexplicably, uncritically, giving no thought to the pain or disruption it would bring with it.