It's no good looking to writers for definitions of what constitutes proper writing, because you will drive yourself crazy, and you won't find anything that you can build into a coherent whole.

So it's not about what you do. It can't be, can it? It has to be about how you are, how you love, how you treat yourself and those around you, and that's where I get eaten up.

I have always been accused of taking the things I love – football, of course, but also books and records – much too seriously, and I do feel a kind of anger when I hear a bad record, or when someone is lukewarm about a book that means a lot to me. Perhaps it was these desperate, bitter men in the West Stand at Arsenal who taught me how to get angry in this way; and perhaps it is why I earn some of my living as a critic – maybe it’s those voices I can hear when I write. ‘You’re a WANKER, X.’ ‘The Booker Prize? THE BOOKER PRIZE? They should give that to me for having to read you.

contemporary poetry is a kind of Reykjavik, a place where accessibility and intelligence have been fighting a Cold War by proxy for the last half-century.

(About Love)The most important thing in life, and you can't tell whether people have it or not. Surely this is wrong? Surely people who are happy should look happy, at all times, no matter how much money they have or how uncomfortable their shoes are or how little their child is sleeping; and people who are doing OK but have still not found their soul-mate should look, I don't know, anxious, like Billy Crystal in When Harry Met Sally; and people who are desperate should wear something, a yellow ribbon maybe, which would allow them to be identified by similar desperate people.

It was hopeless, life, really. It was set up all wrong.

I've committed to nothing...and that's just suicide...by tiny, tiny increments.