The one place I've seen something really come together is in editing. Sometimes you can save pieces in a way that you're really shocked.

My friends, we all improvise together usually. So we write what I think is a good script but always leave a lot of room to find stuff on the day; and we always do find something. That's the advantage to having actors who are, in their own right, writers.

My best friend, Andrew Goldberg - and this is genuinely not me trying to cross-promote, but this new Netflix show I'm doing called Big Mouth is about me and my best friend, Andrew Goldberg, from childhood - but there was a year when I went to his house after school every day and we watched Wayne's World and ate Doritos.

You get to have some bigger comedic moments with some very real dramatic stuff. All that in one makes for a fulfilling artistic job.

My thinking is, if we're setting out to make comedy in which nothing is off limits, then everybody is fair game.

It's always weird to eat something that is a pet elsewhere.

I've decided to just keep doing Oh, Hello, where I play an older man who thinks he's very cultured. That clearly has not gone away.