The one place I've seen something really come together is in editing. Sometimes you can save pieces in a way that you're really shocked.

You get to have some bigger comedic moments with some very real dramatic stuff. All that in one makes for a fulfilling artistic job.

In real life, you care about other people, but at the end of the day you're like, "I'm acting upon whatever it is that I want or need."

My best friend, Andrew Goldberg - and this is genuinely not me trying to cross-promote, but this new Netflix show I'm doing called Big Mouth is about me and my best friend, Andrew Goldberg, from childhood - but there was a year when I went to his house after school every day and we watched Wayne's World and ate Doritos.

My first concert isn't that cool or ironic. I wish it had been like, "My first concert was the Backstreet Boys," but the first concert I went to, I think, was this band called The Samples.

Really, more than anything, The 2000 Year Old Man is a huge influence on all of our comedy, but specifically the live version of Oh, Hello.

I think my goal was just to do comedy, honestly. It still is. Whatever form that took or takes, it doesn't matter.