The one place I've seen something really come together is in editing. Sometimes you can save pieces in a way that you're really shocked.

I feel incredibly lucky at this moment in my career to get paid to do basically exactly what I always wanted to do. I appreciate that in general. But you know, like any job, a job is a job, and there are days that are going to be boring, or you have a boss you don't like, or people you work with.

I think my goal was just to do comedy, honestly. It still is. Whatever form that took or takes, it doesn't matter.

In real life, you care about other people, but at the end of the day you're like, "I'm acting upon whatever it is that I want or need."

I found, especially with stand-up, that if a premise works, you can make the joke work. If a premise doesn't work, you can't force it to.

I've decided to just keep doing Oh, Hello, where I play an older man who thinks he's very cultured. That clearly has not gone away.

I came to New York and started doing stand-up and improv, and started auditioning for commercials and voiceovers and stuff. My first job was on a pilot of that prank show called 'Boiling Points' on MTV.