Really, I just love doing comedy. Any form it takes is great, as long as I can keep doing it, you know? If I can do my show and 'The League' while also getting to do other bits, that's awesome.

My friends, we all improvise together usually. So we write what I think is a good script but always leave a lot of room to find stuff on the day; and we always do find something. That's the advantage to having actors who are, in their own right, writers.

It's the saddest year in movies. We've got "Manchester," "Moonlight," "Chronic," "Jackie" ... it's sad when "American Honey" is the happiest film of the year and it's about runaways aimlessly trying to figure out their lives with no parental figures.

People want to consume what you're putting out there, and you can create a really strong following of fans and admirers, and people who are invested in your career and your comedy.

Robert Altman made that movie Kansas City about the jazz scene in the city, and we saw that band all together, and that was an amazing show. That's what I got into. I like jazz.

In real life, you care about other people, but at the end of the day you're like, "I'm acting upon whatever it is that I want or need."

My first concert isn't that cool or ironic. I wish it had been like, "My first concert was the Backstreet Boys," but the first concert I went to, I think, was this band called The Samples.