In real life, you care about other people, but at the end of the day you're like, "I'm acting upon whatever it is that I want or need."

I feel incredibly lucky at this moment in my career to get paid to do basically exactly what I always wanted to do. I appreciate that in general. But you know, like any job, a job is a job, and there are days that are going to be boring, or you have a boss you don't like, or people you work with.

I had PubLIZity, I had Oh, Hello, I had Bobby and Farley - all of these sketches that were really these duo sketches, but the relationship between them is really what catapulted them forward. A lot of that, I think, came from Wayne and Garth, these two similar guys - they're Midwestern metal guys - but in the end, they're quite different because there's an alpha and a beta. And I think that model became very present for me on Kroll Show.

My first job. I got fired from this MTV prank show, or I didn't make the cut of what ended up being, as we all know, Boiling Points. It was my first professional job and I was bragging.

It was easier to know a character's point of view than it was to figure out what your point of view was.

Really, I just love doing comedy. Any form it takes is great, as long as I can keep doing it, you know? If I can do my show and 'The League' while also getting to do other bits, that's awesome.

Really, more than anything, The 2000 Year Old Man is a huge influence on all of our comedy, but specifically the live version of Oh, Hello.