There's really never any sort of master plan. I find if I've got a couple of tunes that I think are possibilities, I phone everyone up and get them into the studio and we'll have a go at recording them.

You try to make every word count, so there's no doubt what you're talking about. When you're young, you waffle away. Well, I'm done with that. I think it's much more interesting to say just what you mean.

The idea was put to me, and my initial reaction was of slight sort of - I was slightly appalled, really, because in the U.K., we don't - we think it's all a bit vulgar, you know, doing Christmas or cashing in on Christmas. And there's a word we have for it, which is naff. And it's not exactly uncool. It really sort of means kind of vulgar and a bit - not very stylish.

The older I get, there doesn't seem to be anything remotely more interesting than talking about love and the lack of it and what happens when it's taken away from someone who's had it.

I sort of have various sort of theories when people ask me about songwriting because it is a mystery. You don't really know. Sometimes you can do it and sometimes you can't. It's really peculiar.

"I Wish It Could Be Christmas Every Day," which I actually recorded on "Quality Street" because I don't think anyone has ever covered it before. You hear it every single Christmas, and it is a great record. That's by Wizzard. It is a really great record, but I don't think anyone's ever covered it before, so I had to go it doing it differently. It's quite different from how the original goes.

So where are the strongAnd who are the trusted?And where is the harmony?Sweet harmony -'cause each time I feel it slippin away, it just makes me wanna cry:What's so funny 'bout Peace, Love, and Understanding?