Nobody can make a movie as exciting as Jerry Bruckheimer. When it's a Jerry Bruckheimer movie that it's going to have lots of chrome and gloss, it's going to be sexy, and it's going to be big and fun.

If you have people that totally support you and have your back, I feel like you have all the confidence in the world, and you believe that you can do things that most people can't achieve. I feel that's really important.

I do like characters that have flaws, some sort of pathos to them that they are trying to sort out.

I think that movies can help guide us through those experiences [the problems that are happening in our daily lives, the stresses between countries, the economy and global warming]. I think all art tries to grapple with, redefine, come to terms with, express what's happening now when it's working. You can be entertained, but you can also be stimulated to think about things.

When I was eight, I would look at the cover of the 'Ghost Rider' comic book in my little home in Long Beach, California, and I couldn't get my head around how something that scary could also be good. To me it was my first philosophical awakening - 'How is this possible, this duality?'

I've acted professionally since I was 16.

Most of my favourite moments in film have been when I've had an opportunity to say something from scratch, something original, whether I jotted down a few lines or it came out in improvisation.