I'm an enormous admirer of Christopher Lee. He's somebody, along with Vincent Price, who I celebrate, and I wanted my movies to show that celebration and that honoring of these great film stars that were unafraid to go into horror and Grand Guignol and the macabre.

My father once said, 'If you're in the desert and you're dying of thirst, are you going to drink a glass of blood or are you going to drink a glass of water?' I think what he was trying to say, interesting coming from my blood father, is sometimes there are people in your family that can be toxic.

I love working with younger actors because they always come into the game full of energy and ideas that challenge me and keep me learning and stimulated.

I just want to keep making movies that hopefully makes some kids smile.

I invite the entire spectrum, shall we call it, of feeling. Because that is my greatest resource as a film actor. I need to be able to feel everything, which is why I refuse to go on any kind of medication. Not that I need to! But my point is, I wouldn't even explore that, because it would get in the way of my instrument.

Generally my instinct is to not do biographical movies. I want to build characters and not be locked into playing a part in history.

I think that movies can help guide us through those experiences [the problems that are happening in our daily lives, the stresses between countries, the economy and global warming]. I think all art tries to grapple with, redefine, come to terms with, express what's happening now when it's working. You can be entertained, but you can also be stimulated to think about things.