I would like to find a way to embrace what Led Zeppelin did, in filmmaking.

I think the paparazzi might have chased me out of Los Angeles.

As I got older, with my work, I became aware of the responsibility of film, and I feel one of the best ways I can apply myself as an actor, is to go beyond movie stardom and celebrity.

I would say that I'm 98 percent skeptical, but the other 2 percent [is] open for the possibility of things.

I don't know why it is, but I do like dancing in the extreme situations. I like that noise, I like that intensity. For some reason, it's what I respond to in terms of my taste and of my instincts.

Without impending on your own personal choice, there are going to be those that wear the hat of religion and those that wear the hat of science. I still don't really understand why they can't wear both hats, because personally, I think that they go beautifully together.

I didn't play the Ghost Rider in the first movie. That was a stuntman. In this film, the Ghost Rider feels much more alive because I did put some thought into how he should walk and into how he should move. I was so into the character, in fact, that I would paint my face with white and black makeup to look like a skull. And I put on blacked-out contact lenses, so I almost looked like an Afro-New Orleanian voodoo icon by the name of Baron Samedi. Oh man, I would walk around the set without saying a word to anybody, and I could see the fear in my co-stars' and co-directors' eyes.