And what I like about it is it makes me happy and I think it makes a lot of people happy to go to the movies and to not think about the problems of the day or the problems of tomorrow or the yesterday and just go on for the ride and have the fun of losing oneself in a fantasy.

I never say never, but I haven't been given the quality of script to compel me to go on television.

I don't find the same things funny that many other people seem to find funny. I don't really respond to sex jokes and things like that, and some of my friends look at me and go, "Come on, Nic, that was my best joke. Why aren't you laughing?" I go, "I really don't know why I'm not laughing. I'm sort of out of sync with it." So I'd have to find something that was really about weird human behavior for me to laugh.

I love art, I love music. I can listen to Stockhausen and a very experimental, avant-garde approach, and I can listen to Beethoven and have a more classical, traditional approach. Why not be able to do that with film performance?

I haven't made anything I don't believe in. I've always started a movie with a song in my heart, and even when I'm a little unclear about it, something magical happens and it comes into focus in a way that I'm feeling good about.

The only reason why I tend to pass on a movie is either I don't think I'm right for the material and can't play it honestly, or because of time constraints with personal things in my life.

I try to do as many stunts as they'll let me do. I think it's important for an audience to feel that the actor's really doing it.