When you're playing a spirit from another dimension, you really can do anything and get as abstract as you want and still have a context that will work within the movie. I wanted Ghost Rider to move in a way where it would be like a bad dream. I thought about cobra snakes, and the way that they will show you their backs and sway in a rhythmic motion and almost lull you to sleep before suddenly attacking. Well, I put that into the movie. And I decided to move my head in the jerky way a praying mantis does. So, I did all these things to give the movie a feeling of otherness.

Movies work, in my opinion, on the best level when they're more enigmatic, when we don't say it's this or that and where it raises more questions than answers.

There are over 550 million firearms in worldwide circulation. That's one firearm for every twelve people on the planet. The only question is, how do we arm the other 11?

If I do do a sequel, I'm going to have to know for sure that the script is better than the original. So I'm going to be very careful about that because I'm not eager to repeat myself.

I'm legally unable to ride motorcycles. It's a contract that I have with my life insurance, so whenever I get a chance to do a movie and ride a bike I go for it.

And what I like about it is it makes me happy and I think it makes a lot of people happy to go to the movies and to not think about the problems of the day or the problems of tomorrow or the yesterday and just go on for the ride and have the fun of losing oneself in a fantasy.

The movies I cannot go without and that I watch annually are 'A Clockwork Orange,' 'Scarface' and 'Fantasia.'