When I play supernatural characters in 'Ghost Rider' or 'City Of Angels,' the possibilities are limitless. The possibilities are endless, you can do so much with that.

When I work, I really try to get absorbed in the character. Unless I want to do something playful with the camera, I'm not too worried about where the camera is or positions.

I'm always curious about what happens when we die. And I'd like to think that somehow the spirit goes on. I'd rather not think that it's just about this.

Mike Myers as Austin Powers makes me laugh - that was genius - and Daffy Duck makes me laugh, but I like odd behavior. I don't like hip dialogue and one-liners and all that sort of cool, sophomoric comedy. It's just not for me.

My best takes are my first two takes.

All of my characters have a glint of madness.

Often you hear stories about never working with children. I disagree because children still have that residual magical thinking. They haven't had their imagination knocked out of them by turning into adults and life experiences.