All movies on some level can aspire to be more than just whatever the label is of the movie.

When you have 400 people watching you making a movie, it doesn't go where you want it to go. It's a lot of pressure.

In the beginning my energy and passion for acting came from an almost punk rock need to express a lot of anger wherever that may have come from. As I got older, it became or is coming more from a place of wanting to use the craft to help others in some way, to hold a mirror up to the situations that we're going through, to actually be more cautious about the way that I use the power of film and to see if there's anything that I can do in the performances that will resonate in the public a similar string that's on people's minds and is on my mind. That way we have that relationship.

You often feel like you are on a high wire with no net productions because you have to rely on spontaneity and come up with ideas on the spur of the moment - and then what happens is that there is electricity to it that gets caught.

When I play supernatural characters in 'Ghost Rider' or 'City Of Angels,' the possibilities are limitless. The possibilities are endless, you can do so much with that.

I've really had good luck working with younger actors. Every younger actor that I have worked with has always been really on top of their game and fascinating to watch.

One of the great bonuses of being a film actor is that I get to go to different places, meet inspiring people and learn different things. So all those details add up.