I think it's no secret that I've tried to take chances in my career and also in my life, and I believe to not live in fear.

More than ever, movies reveal themselves as healing, as helpful, as encouraging, as escapist - anything that makes someone get through their day in these times. It's the best form of entertainment, and it's still arguably the most inexpensive form of entertainment.

I hit the ground running, without a lot of training, so I had to do whatever I could do to survive as a professional, and if that meant being that character 24/7 and acting out, I was going to do that. I lived those characters, I brought them home with me.

I got a little tired of movies where I had to shoot people. I got to thinking about the power of film and what that power is. The power is in fact that it really can change people's minds.

I find it inspiring and I always think when I'm working on something new, whether it's a new kind of character or a new kind of story or new kind of camera, it gets my creative wheels spinning.

I'm not really interested in playing famous people. I prefer to create characters. And I hope I have an exciting enough life that somebody might make a movie about that one day. I don't want to make movies about other people. I was once approached about playing Salvador Dali, which I thought would've been fun until I found out that he was proud of kicking a blind man across the street. So, I decided, I didn't want to play that guy. So, I think I'll just keep it the way it is.

I was very happy with Vampire's Kiss, which in my opinion was almost like an independent laboratory to start realizing some of my more expressionistic dreams with film performance. Then using what I had learned in Vampire's Kiss and putting it into a very big action movie in the form of Face/Off with John Woo. If you look at those two movies back to back, you can see where I stole from my performance in Vampire's Kiss.