I would say that I'm 98 percent skeptical, but the other 2 percent [is] open for the possibility of things.

I knew I wanted to be an actor when I was very young. I guess I was about 6 years old at the time, and I was fascinated by television. I started having waking fantasies where I was in a movie and there were crane shots of me during a scene.

I'm not really gadget oriented. I'm not into technology or computers. I'm not good at interfacing with that sort of gear.

Well, good science fiction is intelligent. It asks big questions that are on people's minds. It's not impossible. It has some sort of root in the abstract. So automatically you're getting closer to potentially divine sources of interest because it is abstract. It's one of the only ways that a film actor can express himself in the abstract and have audiences still go along for the ride. They don't contend it. They accept it, that they're going to go places that are a bit more of the imagination, a bit more out there, and that's more and more where I like to dance.

I haven't isolated myself. I am not living on a yacht somewhere. I am not tucked away or behind a gate somewhere. I am not flying on a private plane. I am going to the airport, I am with people, some of the interactions are good, some of them are not so good, but it keeps me in touch with being, you know, part of society.

I was very happy with Vampire's Kiss, which in my opinion was almost like an independent laboratory to start realizing some of my more expressionistic dreams with film performance. Then using what I had learned in Vampire's Kiss and putting it into a very big action movie in the form of Face/Off with John Woo. If you look at those two movies back to back, you can see where I stole from my performance in Vampire's Kiss.

I bought a Yamaha-1 and I was doing 180 miles per hour home on the 405 and that's really, really crazy but I did it.