I do understand sometimes when actors say there's no one to talk to, or you can't react to, there's truth in that, but for me, I've always enjoyed green screen, and blue screen.

It's always exciting when you can go into a mode where you can be both spontaneous and choreographed. Sort of in control and out of control at the same time.

Movies work, in my opinion, on the best level when they're more enigmatic, when we don't say it's this or that and where it raises more questions than answers.

Most of my favourite moments in film have been when I've had an opportunity to say something from scratch, something original, whether I jotted down a few lines or it came out in improvisation.

One day, one of my dreams is to someday get to do Nemo in '20,000 Leagues Under the Sea.'

If I do do a sequel, I'm going to have to know for sure that the script is better than the original. So I'm going to be very careful about that because I'm not eager to repeat myself.

Personally, my interests are ancient history and ancient civilizations. In my own life, I'd like to go to places like Easter Island.