I do understand sometimes when actors say there's no one to talk to, or you can't react to, there's truth in that, but for me, I've always enjoyed green screen, and blue screen.

I never say never, but I haven't been given the quality of script to compel me to go on television.

I haven't made anything I don't believe in. I've always started a movie with a song in my heart, and even when I'm a little unclear about it, something magical happens and it comes into focus in a way that I'm feeling good about.

When I act, I hear it like music. In my head, I hear the dialogue like music.

Disney has a great tradition of enchanting children and giving them something to behold.

I try to keep my characters raising more questions than giving answers. I don't want to leave too much on the table. I want you to have your connection and your secret understanding of the character.

We do see Gong Li, Zhang Ziyi and Chow Yun Fat, but it's very rare to see the Chinese male actor in Hollywood movies, which is something I take great umbrage with. You know, my son is Asian. He may want to direct one day; he may want to be an actor like his father - and I want that to be open to him.