I didn't play the Ghost Rider in the first movie. That was a stuntman. In this film, the Ghost Rider feels much more alive because I did put some thought into how he should walk and into how he should move. I was so into the character, in fact, that I would paint my face with white and black makeup to look like a skull. And I put on blacked-out contact lenses, so I almost looked like an Afro-New Orleanian voodoo icon by the name of Baron Samedi. Oh man, I would walk around the set without saying a word to anybody, and I could see the fear in my co-stars' and co-directors' eyes.

I don't know why it is, but I do like dancing in the extreme situations. I like that noise, I like that intensity. For some reason, it's what I respond to in terms of my taste and of my instincts.

I think that the best characters are the ones who both manage to be attractive and repulsive at the same time.

'Knowing' is one of those movies where you're going to get the spectacle, and you're going to have the entertainment in the grand science fiction tradition. But also, it will perhaps stimulate some discussion to help you sort out on your own where you might choose to go in terms of your own needs. Now, I say that without preaching.

The biggest problem for me was feeling that as I became more balanced and a better man that I wouldn't have the fire to create from.

I always add a year to myself, so I'm prepared for my next birthday. So when I was 39, I was already 40.

I think the paparazzi might have chased me out of Los Angeles.