Well, good science fiction is intelligent. It asks big questions that are on people's minds. It's not impossible. It has some sort of root in the abstract. So automatically you're getting closer to potentially divine sources of interest because it is abstract. It's one of the only ways that a film actor can express himself in the abstract and have audiences still go along for the ride. They don't contend it. They accept it, that they're going to go places that are a bit more of the imagination, a bit more out there, and that's more and more where I like to dance.

When I was eight, I would look at the cover of the 'Ghost Rider' comic book in my little home in Long Beach, California, and I couldn't get my head around how something that scary could also be good. To me it was my first philosophical awakening - 'How is this possible, this duality?'

I haven't made anything I don't believe in. I've always started a movie with a song in my heart, and even when I'm a little unclear about it, something magical happens and it comes into focus in a way that I'm feeling good about.

Someone like Vincent Price or somebody like Christopher Lee, they never won an award, and it doesn't matter. They're cool.

I always say, if you think it’s over the top then tell me where the top is first. I don’t think anyone can. But if you can tell me where the top is then I’ll tell you whether or not I’m over it.

I'm the first to admit that I like going to, or my memories at least of going to Clint Eastwood movies or Charles Bronson or James Bond.

I just want to keep making movies that hopefully makes some kids smile.