Well, good science fiction is intelligent. It asks big questions that are on people's minds. It's not impossible. It has some sort of root in the abstract. So automatically you're getting closer to potentially divine sources of interest because it is abstract. It's one of the only ways that a film actor can express himself in the abstract and have audiences still go along for the ride. They don't contend it. They accept it, that they're going to go places that are a bit more of the imagination, a bit more out there, and that's more and more where I like to dance.

Sometimes people think I'm wearing a wig when I'm not wearing a wig, and then sometimes they think I'm not wearing a wig when I am wearing a wig.

I knew I wanted to be an actor when I was very young. I guess I was about 6 years old at the time, and I was fascinated by television. I started having waking fantasies where I was in a movie and there were crane shots of me during a scene.

Children, to me, are of the utmost importance. They're really the future, aren't they?

I came out of independent film, that's my roots. I used my independent film as a laboratory, and used what I could discover in that laboratory.

I was thinking about being more global in my work, which means trying more foreign countries and working with foreign filmmakers, hoping they would give me a new take on my work, a new point of view, reinvent me in some way.

You often feel like you are on a high wire with no net productions because you have to rely on spontaneity and come up with ideas on the spur of the moment - and then what happens is that there is electricity to it that gets caught.