The biggest problem for me was feeling that as I became more balanced and a better man that I wouldn't have the fire to create from.

I always say, if you think it’s over the top then tell me where the top is first. I don’t think anyone can. But if you can tell me where the top is then I’ll tell you whether or not I’m over it.

Snakes are sometimes perceived as evil, but they are also perceived as medicine. If you look at an ambulance, there's the two snakes on the side of the ambulance. The caduceus, or the staff of Hermes, there's the two snakes going up it, which means that the venom can also be healing.

I would like to hook up with one of the great Japanese filmmakers, like the master that made Ringu, and I would like to take 'The Wicker Man' to Japan, except this time he's a ghost.

With the advent of this kind of TMZ culture, it sadly seems to have infiltrated the vanguard of film commentary. I see these reviews sometimes where I think, well, you have a right to say whatever you want about my work, and I will listen whether it's good or bad and see if there's something that I might work with, but personal issues don't have a place in film commentary.

You often feel like you are on a high wire with no net productions because you have to rely on spontaneity and come up with ideas on the spur of the moment - and then what happens is that there is electricity to it that gets caught.

I haven't isolated myself. I am not living on a yacht somewhere. I am not tucked away or behind a gate somewhere. I am not flying on a private plane. I am going to the airport, I am with people, some of the interactions are good, some of them are not so good, but it keeps me in touch with being, you know, part of society.